Impressionism · 1830–1903 · French
Camille Pissarro
Across 4 works, the colors are mostly brown (39%), gray (33%) and white (12%). On average the canvases are light, moderately saturated and warm. Signature colors, used far more here than across the collection: pale grey, silver, bone, pale slate and parchment.
Color print
The swatches covering most of these canvases, averaged over every work, dark to light.
- MG 212 pale grey 16.9% of canvas
- MG 206 silver 9.3% of canvas
- MG 171 bone 6.9% of canvas
- MG 172 oatmeal 5.1% of canvas
- MG 213 light grey 4.7% of canvas
- MG 173 putty 4.4% of canvas
- MG 201 parchment 4.1% of canvas
- MG 174 warm grey 3.9% of canvas
- MG 214 pewter 3.3% of canvas
- MG 215 grey 3.1% of canvas
- MG 216 dark grey 3.0% of canvas
- MG 207 pale slate 3.0% of canvas
- MG 217 iron 2.4% of canvas
- MG 175 stone 2.4% of canvas
- MG 218 graphite 2.0% of canvas
- MG 176 taupe 1.6% of canvas
Measurements
Composition
Averaged over 4 works: 51% of the visual weight in the left half, 61% in the lower half; symmetry 0.46; 26% calm space; half of the detail in 32% of the canvas. Measured from each image, not a rule the painters followed.