Rococo · 1696–1770 · Italian

Giovanni Battista Tiepolo

Across 3 works, the colors are mostly brown (69%), yellow (11%) and white (6%). On average the canvases are mid-toned, moderately saturated and warm. Signature colors, used far more here than across the collection: rich orange ochre, rich ochre, umber, amber and dark rich brown.

Color print

The swatches covering most of these canvases, averaged over every work, dark to light.

• MG 184 umber 7.5% of canvas
• MG 178 rich orange ochre 5.5% of canvas
• MG 185 dark golden umber 4.8% of canvas
• MG 183 golden umber 4.5% of canvas
• MG 034 amber 4.0% of canvas
• MG 219 bistre 3.9% of canvas
• MG 177 dark taupe 3.5% of canvas
• MG 182 golden umber 3.5% of canvas
• MG 186 dark umber 3.1% of canvas
• MG 033 light amber 2.9% of canvas
• MG 173 putty 2.9% of canvas
• MG 168 dark amber brown 2.8% of canvas
• MG 176 taupe 2.8% of canvas
• MG 179 rich ochre 2.8% of canvas
• MG 167 brown 2.8% of canvas
• MG 220 warm black 2.4% of canvas

Measurements

Lightness

0.54

Contrast

0.55

Vividness

0.054

Warmth

+0.93

Complexity

199 cells

Hue range

0.31

Focus

0.05

Works

• The Banquet of Cleopatra, c. 1743
• Deposition, 1767
• The Immaculate Conception, 1767