Italian Renaissance · 1430–1516 · Italian

Giovanni Bellini

Across 3 works, the colors are mostly brown (51%), blue (19%) and gray (15%). On average the canvases are mid-toned, moderately saturated and warm. Signature colors, used far more here than across the collection: dark muted azure blue, slate, very dark muted green, dark muted blue and very dark olive.

Color print

The swatches covering most of these canvases, averaged over every work, dark to light.

• MG 098 dark muted azure blue 13.4% of canvas
• MG 219 bistre 6.6% of canvas
• MG 210 slate 6.2% of canvas
• MG 177 dark taupe 5.7% of canvas
• MG 168 dark amber brown 3.7% of canvas
• MG 185 dark golden umber 3.6% of canvas
• MG 184 umber 3.6% of canvas
• MG 176 taupe 3.4% of canvas
• MG 155 dark reddish brown 2.8% of canvas
• MG 099 dark muted blue 2.7% of canvas
• MG 195 dark olive 2.7% of canvas
• MG 183 golden umber 2.5% of canvas
• MG 175 stone 2.4% of canvas
• MG 061 very dark muted green 2.2% of canvas
• MG 186 dark umber 2.2% of canvas
• MG 156 dark reddish brown 2.2% of canvas

Measurements

Lightness

0.43

Contrast

0.40

Vividness

0.041

Warmth

+0.42

Complexity

139 cells

Hue range

0.57

Focus

0.03

Works

• Madonna del Prato, 1500–1509
• Portrait of Doge Leonardo Loredan, 1500–1509
• The Feast of the Gods, 1514