Post-Impressionism · 1864–1901 · French

Henri de Toulouse-Lautrec

Across 4 works, the colors are mostly brown (48%), gray (17%) and black (13%). On average the canvases are mid-toned, moderately saturated and warm. Signature colors, used far more here than across the collection: rich scarlet brown, muted green, dark muted lime green, dark amber brown and dark golden olive.

Color print

The swatches covering most of these canvases, averaged over every work, dark to light.

• MG 222 charcoal 9.2% of canvas
• MG 219 bistre 5.5% of canvas
• MG 177 dark taupe 5.0% of canvas
• MG 168 dark amber brown 4.5% of canvas
• MG 213 light grey 4.4% of canvas
• MG 218 graphite 4.1% of canvas
• MG 194 dark golden olive 3.6% of canvas
• MG 162 rich scarlet brown 3.5% of canvas
• MG 176 taupe 3.3% of canvas
• MG 059 dark muted lime green 2.9% of canvas
• MG 058 muted green 2.9% of canvas
• MG 214 pewter 2.9% of canvas
• MG 156 dark reddish brown 2.6% of canvas
• MG 185 dark golden umber 2.4% of canvas
• MG 217 iron 2.4% of canvas
• MG 172 oatmeal 2.4% of canvas

Measurements

Lightness

0.49

Contrast

0.45

Vividness

0.043

Warmth

+0.93

Complexity

152 cells

Hue range

0.49

Focus

0.03

Works

• La Blanchisseuse, 1889
• At the Moulin Rouge, The Dance, 1890
• At the Moulin Rouge, 1892
• La Toilette, 1896