Movement · 1680–1900
Ukiyo-e
Woodblock prints built from flat, layered color. Imported Prussian blue transforms the landscapes of Hokusai and Hiroshige from the 1830s.
Across 29 works, the colors are mostly brown (43%), gray (14%) and white (14%). On average the canvases are light, moderately saturated and warm. Signature colors, used far more here than across the collection: pale sand, pale muted golden cream, ivory, light muted aqua and parchment.
Color print
The swatches covering most of these canvases, averaged over every work, dark to light.
- MG 180 pale sand 7.9% of canvas
- MG 171 bone 6.9% of canvas
- MG 202 pale muted golden cream 5.2% of canvas
- MG 172 oatmeal 4.7% of canvas
- MG 181 light sand 4.7% of canvas
- MG 200 ivory 4.6% of canvas
- MG 201 parchment 4.4% of canvas
- MG 218 graphite 4.2% of canvas
- MG 175 stone 3.4% of canvas
- MG 174 warm grey 3.4% of canvas
- MG 173 putty 3.3% of canvas
- MG 176 taupe 3.2% of canvas
- MG 217 iron 2.8% of canvas
- MG 222 charcoal 2.6% of canvas
- MG 163 pale tan 2.4% of canvas
- MG 080 light muted aqua 2.2% of canvas
Measurements
Artists
- Tōshūsai Sharaku ?–1801
- Suzuki Harunobu 1724–1770
- Kitagawa Utamaro 1753–1806
- Hokusai 1760–1849
- Hiroshige 1797–1858
- Utagawa Kuniyoshi 1798–1861
Works
- Plum Blossoms by a Streem (February), 18th century
- By the Sea, 1760s
- Whispering, 1767
- Fujin Tomari-kyaku no Zu, c. 1794
- Ichikawa Ebizo as Takemura Sadanoshin, 1794
- Ichikawa Omezō I in the Role of Yakko Ippei from the Play "Koinyōbō somewake tazuna", 1794
- Kabuki Actor Ōtani Oniji III as Yakko Edobei in the Play The Colored Reins of a Loving Wife (Koi nyōbō somewake tazuna), 1794
- Three Beauties of the Present Day, 1790s
- Tsuitate no Danjo, 1797
- Fukagawa no Yuki, 1800–1809
- Pilgrims at the Rōben waterfall, Ōyama, 1819
- Fuchu, 1831
- Fujimigahara in Owari Province, 1831
- Kajikazawa in Kai province, 1831
- Lake Suwa in Shinano province, 1831
- Sazai hall - Temple of Five Hundred Rakan, 1831
- Under the Mannen Bridge at Fukagawa, 1831
- Fine Wind, Clear Morning, 1830s
- The Great Wave off Kanagawa, 1830s
- Takiyasha the Witch and the Skeleton Spectre, 1844
- Onoe Kikugorō ichidai banashi Gama, 1847
- Mongaku Shonin under the waterfall of Nachi, encouraged by Fudo Myoo and his acolytes Kongara and Seitaka, 1851
- Famous Views of the 60-odd Provinces, 1853
- Nihonbashi: Clearing after Snow, 1856
- Plum Park in Kameido, 1857
- Shichūhan'ei tanabata matsuri, 1857
- Sudden Shower over Shin-Ōhashi Bridge and Atake, 1857
- Suidōbashi surugadai, 1857
- Fireworks at Ryogoku, 1858