Symbolism & Aestheticism · 1896
Hylas and the Nymphs

Hylas and the Nymphs (1896) by John William Waterhouse. Its palette is led by very dark sienna (#261620, 43%) and dark taupe (#4a3932, 27%), with accents of pale tan and light grey. Overall the canvas is mid-toned, moderately saturated and warm.
Color reading
Brown and black cover about three-quarters of the canvas. Its most vivid color, pale tan #DFB47F, takes up just 5% of it.
Palette
- #261620 MG 146 very dark sienna 43.5% of canvas
- #4a3932 MG 177 dark taupe 27.2% of canvas
- #735b44 MG 167 brown 15.8% of canvas
- #dfb47f MG 163 pale tan 4.8% of canvas
- #f7f0dc MG 200 ivory 4.7% of canvas
- #ab9fa5 MG 213 light grey 4.0% of canvas
Color families
Brown 48%, Black 28%, Gray 6%, White 5%, Red 3%
Measurements
Composition
51% of the visual weight is in the right half, 60% in the lower half. Symmetry 0.54 (how closely its shapes and edges mirror each other). 6% of the canvas is calm space. Half of the detail sits in 31% of the canvas. Measured from the image, not a rule the painter followed.
Details
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More by John William Waterhouse
- The Lady of Shalott, 1888
- Echo and Narcissus, 1903