Post-Impressionism · 1892
Mont Sainte-Victoire seen from Bellevue

Mont Sainte-Victoire seen from Bellevue (1892) by Paul Cézanne. Its palette is led by slate (#475760, 25%) and grey (#777987, 19%), with accents of light reddish tan, soot, pale muted green and pale muted golden cream. Overall the canvas is light, moderately saturated and cool.
Color note
Cézanne modelled form by shifting from warm to cool color rather than from light to dark, laying small, deliberate patches of color side by side.
Palette
- #475760 MG 210 slate 25.0% of canvas
- #777987 MG 215 grey 19.5% of canvas
- #8194a8 MG 095 muted azure blue 19.4% of canvas
- #aec4d2 MG 207 pale slate 10.8% of canvas
- #b49483 MG 151 light reddish tan 9.5% of canvas
- #0f1119 MG 223 soot 8.2% of canvas
- #aac19a MG 053 pale muted green 4.7% of canvas
- #e8d5ad MG 202 pale muted golden cream 2.8% of canvas
Color families
Blue 33%, Gray 33%, Brown 16%, Green 7%, Black 5%
Measurements
Composition
56% of the visual weight is in the right half, 56% in the upper half. Symmetry 0.82 (how closely its shapes and edges mirror each other). 19% of the canvas is calm space. Half of the detail sits in 33% of the canvas. Measured from the image, not a rule the painter followed.
Details
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More by Paul Cézanne
- The Boy in the Red Vest, 19th century
- Jeune Fille au piano (Girl at the Piano - The Overture to Tannhauser), 1869
- Mardi Gras, 1888
- The Card Players, 1890
- Rideau, Cruchon et Compotier, c. 1893
- Mont Sainte-Victoire, 1903