Italian Renaissance · 16th century
Sleeping Venus

Sleeping Venus (16th century) by Titian. Its palette is led by light sand (#b8a481, 26%) and dark umber (#3f341b, 15%), with accents of rich orange ochre, black and dark rich sienna. Overall the canvas is mid-toned, moderately saturated and warm.
Color note
Titian built his colors in many layers of glaze over a colored ground, the Venetian way of putting color before drawing. The copper-red hair of his sitters gave English the color name “Titian”.
Palette
- #b8a481 MG 181 light sand 26.2% of canvas
- #80683f MG 178 rich orange ochre 16.1% of canvas
- #3f341b MG 186 dark umber 15.3% of canvas
- #28210f MG 219 bistre 13.3% of canvas
- #090504 MG 224 black 12.7% of canvas
- #d8c092 MG 180 pale sand 12.2% of canvas
- #651717 MG 148 dark rich sienna 4.2% of canvas
Color families
Brown 66%, Black 20%, Yellow 11%, White 2%, Green 1%
Measurements
Composition
54% of the visual weight is in the left half, 53% in the lower half. Symmetry 0.16 (how closely its shapes and edges mirror each other). 15% of the canvas is calm space. Half of the detail sits in 29% of the canvas. Measured from the image, not a rule the painter followed.
Details
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More by Titian
- Sacred and Profane Love, c. 1514
- Assumption of the Virgin, c. 1517
- Venus of Urbino, 1538
- Equestrian Portrait of Charles V, 1548