Symbolism & Aestheticism · 1893
Vampire

Vampire (1893) by Edvard Munch. Its palette is led by charcoal (#1f2429, 61%) and dark slate (#2b3743, 13%), with accents of amber brown and rich brown. Overall the canvas is dark, muted and warm.
Color note
Munch used color for emotion rather than description: in The Scream the sky burns orange and red over a blue-black fjord. He returned to the subject several times, in paint, pastel and print.
Palette
- #1f2429 MG 222 charcoal 60.7% of canvas
- #2b3743 MG 211 dark slate 13.2% of canvas
- #3c2a20 MG 156 dark reddish brown 10.4% of canvas
- #a17e5b MG 165 amber brown 8.3% of canvas
- #6e4934 MG 159 rich brown 7.3% of canvas
Color families
Black 57%, Brown 20%, Gray 15%, Blue 6%, Orange 1%
Measurements
Composition
64% of the visual weight is in the left half, 62% in the lower half. Symmetry 0.60 (how closely its shapes and edges mirror each other). 65% of the canvas is calm space. Half of the detail sits in 31% of the canvas. Measured from the image, not a rule the painter followed.
Details
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More by Edvard Munch
- The Scream, 1893
- Jealousy, 1895
- Puberty, 1895
- The Kiss, 1897