Neoclassicism · 1780–1867 · French

Jean-Auguste-Dominique Ingres

Across 4 works, the colors are mostly brown (49%), gray (20%) and black (16%). On average the canvases are mid-toned, muted and warm. Signature colors, used far more here than across the collection: dark slate, graphite, pale tan, charcoal and dark taupe.

Color print

The swatches covering most of these canvases, averaged over every work, dark to light.

• MG 222 charcoal 10.4% of canvas
• MG 177 dark taupe 7.5% of canvas
• MG 218 graphite 6.7% of canvas
• MG 211 dark slate 6.7% of canvas
• MG 176 taupe 5.7% of canvas
• MG 175 stone 3.9% of canvas
• MG 217 iron 3.5% of canvas
• MG 223 soot 3.4% of canvas
• MG 171 bone 3.4% of canvas
• MG 172 oatmeal 3.2% of canvas
• MG 173 putty 3.0% of canvas
• MG 181 light sand 2.9% of canvas
• MG 174 warm grey 2.8% of canvas
• MG 219 bistre 2.5% of canvas
• MG 163 pale tan 2.3% of canvas
• MG 165 amber brown 2.1% of canvas

Measurements

Lightness

0.48

Contrast

0.57

Vividness

0.029

Warmth

+0.76

Complexity

159 cells

Hue range

0.35

Focus

0.18

Works

• The Valpinçon Bather, 1808
• Grande Odalisque, 1814
• The Source, 1856
• The Turkish Bath, 1862