Neoclassicism · 1814
Grande Odalisque

Grande Odalisque (1814) by Jean-Auguste-Dominique Ingres. Its palette is led by dark slate (#2b2e37, 37%) and bone (#d8c3ac, 19%), with accents of putty, umber and light gold. Overall the canvas is mid-toned, moderately saturated and balanced between warm and cool.
Color reading
Brown and gray cover more than three-fifths of the canvas. Its most vivid color, light gold #BC9A40, takes up just 2% of it.
Palette
- #2b2e37 MG 211 dark slate 37.5% of canvas
- #d8c3ac MG 171 bone 18.8% of canvas
- #415475 MG 106 blue 13.1% of canvas
- #ac957c MG 173 putty 10.3% of canvas
- #675b47 MG 184 umber 10.1% of canvas
- #667b96 MG 096 muted azure blue 8.3% of canvas
- #bc9a40 MG 038 light gold 2.0% of canvas
Color families
Brown 35%, Gray 27%, Blue 22%, Black 11%, Yellow 3%
Measurements
Composition
62% of the visual weight is in the left half, 69% in the lower half. Symmetry 0.04 (how closely its shapes and edges mirror each other). 26% of the canvas is calm space. Half of the detail sits in 30% of the canvas. Measured from the image, not a rule the painter followed.
Details
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More by Jean-Auguste-Dominique Ingres
- The Valpinçon Bather, 1808
- The Source, 1856
- The Turkish Bath, 1862