Italian Renaissance · 1483–1520 · Italian

Raphael

Across 4 works, the colors are mostly brown (44%), black (24%) and gray (10%). On average the canvases are mid-toned, moderately saturated and warm. Signature colors, used far more here than across the collection: soot, amber, dark olive, pale reddish tan and light amber.

Color print

The swatches covering most of these canvases, averaged over every work, dark to light.

• MG 223 soot 12.3% of canvas
• MG 222 charcoal 8.1% of canvas
• MG 219 bistre 7.9% of canvas
• MG 033 light amber 3.5% of canvas
• MG 221 blue black 3.5% of canvas
• MG 195 dark olive 3.4% of canvas
• MG 181 light sand 3.2% of canvas
• MG 034 amber 3.1% of canvas
• MG 216 dark grey 3.1% of canvas
• MG 218 graphite 3.0% of canvas
• MG 177 dark taupe 2.9% of canvas
• MG 182 golden umber 2.7% of canvas
• MG 156 dark reddish brown 2.5% of canvas
• MG 168 dark amber brown 2.1% of canvas
• MG 220 warm black 2.1% of canvas
• MG 155 dark reddish brown 2.0% of canvas

Measurements

Lightness

0.46

Contrast

0.56

Vividness

0.043

Warmth

+0.87

Complexity

204 cells

Hue range

0.47

Focus

0.14

Works

• The Marriage of the Virgin, 1504
• Madonna of the Goldfinch, c. 1505
• Sistine Madonna, c. 1512
• La fornarina, c. 1518–1520