Italian Renaissance · c. 1476
Ginevra de' Benci

Ginevra de' Benci (c. 1476) by Leonardo da Vinci. Its palette is led by bistre (#2b1e10, 26%) and soot (#11120c, 21%), with accents of taupe, golden umber and light muted aqua. Overall the canvas is mid-toned, moderately saturated and warm.
Color note
Leonardo built his tones from many thin, translucent layers, the soft-edged technique called sfumato. Centuries of yellowed varnish now sit over his paintings, so their colors read warmer and more yellow than when he painted them.
Palette
- #2b1e10 MG 219 bistre 26.3% of canvas
- #11120c MG 223 soot 20.8% of canvas
- #453017 MG 169 dark brown 13.0% of canvas
- #57553e MG 176 taupe 10.4% of canvas
- #cebfa3 MG 180 pale sand 10.2% of canvas
- #847454 MG 183 golden umber 9.8% of canvas
- #8dacb5 MG 080 light muted aqua 9.5% of canvas
Color families
Brown 52%, Black 35%, Blue 5%, Gray 3%, White 3%
Measurements
Composition
61% of the visual weight is in the right half, 53% in the lower half. Symmetry 0.31 (how closely its shapes and edges mirror each other). 37% of the canvas is calm space. Half of the detail sits in 27% of the canvas. Measured from the image, not a rule the painter followed.
Details
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More by Leonardo da Vinci
- Lady with an Ermine, 1490
- The Last Supper, 1490s
- Salvator Mundi, 1500
- Mona Lisa, c. 1503