Bauhaus · 1925
Yellow-Red-Blue

Yellow-Red-Blue (1925) by Wassily Kandinsky. Its palette is led by bone (#cbcab3, 36%) and light grey (#afb2ba, 12%), with accents of indigo blue, charcoal, scarlet red and amber. Overall the canvas is light, moderately saturated and warm.
Color note
Kandinsky tied colors to sounds and emotions: in Concerning the Spiritual in Art (1911) he likens yellow to a blaring trumpet and deep blue to a pull toward the spiritual. He later taught color and form at the Bauhaus.
Palette
- #cbcab3 MG 171 bone 35.8% of canvas
- #4f5d9f MG 104 indigo blue 13.9% of canvas
- #afb2ba MG 213 light grey 11.7% of canvas
- #9999ab MG 208 pigeon grey 11.6% of canvas
- #e0d178 MG 042 pale yellow 11.0% of canvas
- #23242a MG 222 charcoal 7.5% of canvas
- #b84251 MG 019 scarlet red 4.7% of canvas
- #b87c13 MG 034 amber 3.8% of canvas
Color families
Gray 22%, Brown 22%, Blue 15%, Yellow 14%, White 11%
Measurements
Composition
59% of the visual weight is in the right half, 56% in the upper half. Symmetry 0.25 (how closely its shapes and edges mirror each other). 9% of the canvas is calm space. Half of the detail sits in 31% of the canvas. Measured from the image, not a rule the painter followed.
Details
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More by Wassily Kandinsky
- The Blue Rider, 1903
- Composition VI, 1913
- Composition VII, 1913
- On White II, 1923